Fortunately, Concrete Genie helps you tap into your creative spark, with huge Masterpieces to complete, and rotten paintings that you can revitalise with the right designs. You’re drip-fed the designs that you can paint, and if you’re utterly devoid of any artistic vision you could mostly use the same one across the whole town. It doesn’t quite ask you to go wild though, at least not until much later.
CONCRETE GENIE GAME ZIP
Trees, grass, flowers and butterflies zip from your paintbrush onto the walls with ease, and as you splash your designs across the walls you light bulbs that drive the darkness away.
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It feels surprisingly natural in no time at all, and it’s probably the closest any game has come to nailing the experience of painting.
Your notebook slowly fills back up with designs and once you’ve decided where they’re going to go, you can use the Dualshock 4’s motion control to ‘paint’ them onto most surfaces, controlling their direction and size with deft movement of your controller.
CONCRETE GENIE GAME SERIES
It’s here though that he encounters Luna, the first of the titular Genies, who bestows upon him a magic paintbrush and sets him off to bring life back to Denska through the medium of supernatural art.Įach part of town features a series of grim brown and grey buildings that are just begging for you to go wild with your paintbrush. The bullies soon ruin Ash’s day by ripping out the pages of his notebook and scattering them to the wind, before trapping him in a cable car that’s set on a one-way trip to an old lighthouse. From the opening it’s clear that Pixelopus have aimed to bring to life the darker end of children’s animated fantasy, with a touch of Burton here, a dash of Laika studio there. It’s a dreary, decaying place that’s only frequented by delinquents whose entertainment consists almost entirely of picking on Ash, and lurking there is a darkness that’s set to consume the town. He spends his time hanging out in his former home Denska, an abandoned fishing town that’s been left to rot after a catastrophic oil spill drove everyone out. When that most obvious of lazy game tropes appears - the sewer level - it almost feels like an intentional joke.You’re Ash, a latch-key kid whose days are filled with sketching in his notebook. The moments of cinematic storytelling where players learn more about Ash’s parents or an individual bully is spotlit are forgettable the instant that they’re over, and Denska’s various districts are some of the least compelling environments to navigate in recent memory, whether they’re covered in glowing paint or not. Platforming is very fidgety, the stealth aspects are mostly nonexistent and disposable, and whatever puzzles do emerge are so straightforward they feel like mere padding and distraction. What’s unfortunate is that little else in the game seemed to have received a comparable amount of polish or consideration. It’s clear that studio Pixelopus prioritized the painting mechanics during Concrete Genie’s development which, of course, was a very wise decision. You can even end up with a whole squad of genies bumbling around each level, asking you to paint objects and rewarding you with special paint that eradicates corruption-like blockades. Once they’ve been created, they can follow you along walls through the entirety of an area, and three different base-types of genies offer different elemental powers that factor into occasional puzzles. The act of creating a new genie with whatever accouterments you like - go ahead and give them five spiraled horns, three tails, and a mustache, if you like - seems like it would get old, but their beaming big-toothed smile as they shimmer to life is always a genuine delight. The first few times you use the brush may elicit a gasp, with each modest stroke creating a buzzing collage of luminescent figures. To be fair, some of this lack of tension is due to the focus on the painting itself.
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